"The 57th edition of the Salone del Mobile promised to be a new starting point. Every new beginning calls for reflection and commitment, to which end the Salone del Mobile.Milano has put together its first ever Manifesto, presented at the Press Conference on February 7. It is not just an affectionate gesture towards the city and all the actors that have contributed to its success, but is first and foremost a declaration of intent, laying the foundations for a new way of thinking, working as a system and designing.

The Salone del Mobile Manifesto opens with the image of Milan at the centre of the process of renewal, and is intended to spearhead a new way of conceiving the trade fair and the city, with a view to consolidating the internationalisation process and the leadership role it has acquired over the years. The invitation to innovate is, in fact, a plea not to rest on our laurels, but to look beyond what has already been achieved and aim for sustainable quality, collaboration, inclusion and sharing, valorising young talent and the cultural heritage. This is how we can really give shape to the sort of design and architecture that is more conscious of the needs of a constantly evolving society that appreciates futuristic design but also needs to feel a variety of small emotions on an everyday basis."

"第57屆米蘭設(shè)計(jì)周將是一個(gè)新起點(diǎn)。每一個(gè)新的開(kāi)始都需要反思和承諾，直到設(shè)計(jì)周結(jié)束。米蘭設(shè)計(jì)周在2月7日的新聞發(fā)布會(huì)上把每一次的宣言都匯集在了一起，它不僅僅表達(dá)了對(duì)所有為其成功所做出貢獻(xiàn)的城市和藝術(shù)家的敬意，更是一個(gè)首當(dāng)其沖的意向聲明，為接下來(lái)新的思考方式、系統(tǒng)化工作方式和設(shè)計(jì)方式打下基礎(chǔ)。

米蘭設(shè)計(jì)周的宣言展示了米蘭在復(fù)興過(guò)程的中心形象，并且旨在領(lǐng)導(dǎo)一個(gè)構(gòu)想商品交易和城市的新思路，鞏固國(guó)際化進(jìn)程和歷經(jīng)數(shù)年獲得的領(lǐng)導(dǎo)作用。實(shí)際上，創(chuàng)新并不是要放下自己曾經(jīng)的輝煌，而是要超越已經(jīng)實(shí)現(xiàn)的目標(biāo)，追求可持續(xù)的質(zhì)量，合作，包容和分享，為年輕人才和文化遺產(chǎn)提供價(jià)值。這就是我們?nèi)绾尾拍苷嬲茉炷欠N更加意識(shí)到不斷發(fā)展的社會(huì)需求的設(shè)計(jì)和架構(gòu)，就是我們不僅要欣賞未來(lái)派設(shè)計(jì)，也要感受到日常生活中的小細(xì)節(jié)和小情緒。"

——

http://www.salonemilano.it

米蘭設(shè)計(jì)周

創(chuàng)立于1961年的“Salone del Mobile”（米蘭家具展），最初意在推廣意大利家具，現(xiàn)在已經(jīng)發(fā)展成來(lái)自世界上超過(guò)2500家公司、超過(guò)700位設(shè)計(jì)師參與的家居展，是全世界家具，家居，建筑，服裝，配飾，燈具，設(shè)計(jì)專業(yè)人士每年1度“朝圣”的設(shè)計(jì)圣地。 同期舉辦的“米蘭設(shè)計(jì)周”創(chuàng)辦于2000年，是世界最大的室內(nèi)裝飾行業(yè)展會(huì)，也是世界三大家具展覽之一。

2018米蘭國(guó)際家具展分為5大類：米蘭國(guó)際家具展（Salone Internazionale del Mobile），國(guó)際家具配件展（International Furnishing Accessories Exhibition），國(guó)際廚房科技展（Technology For the Kitchen 2018），國(guó)際衛(wèi)浴展（International Bathroom Exhibition 2018）和衛(wèi)星展(SaloneSalellite)。

第21屆衛(wèi)星展（SaloneSalellite)

SaloneSatellite是第一個(gè)專注于年輕設(shè)計(jì)師的活動(dòng)，瞬間成為與制造商，人才探索者和最有前途的年輕設(shè)計(jì)師交流的無(wú)與倫比的場(chǎng)所，并且自1998年以來(lái)與Salone del Mobile.Milano同步運(yùn)行。

它的創(chuàng)作基本上是對(duì)35歲以下設(shè)計(jì)師的創(chuàng)作潛力的一種信仰宣言。以前版本中呈現(xiàn)的許多原型已投入生產(chǎn)，并且多年來(lái)參與設(shè)計(jì)的10,000名設(shè)計(jì)師中的許多人以及270位國(guó)際設(shè)計(jì)師學(xué)校，現(xiàn)在都是設(shè)計(jì)界的大腕。

從2010年開(kāi)始，沙龍衛(wèi)星獎(jiǎng)是進(jìn)一步促進(jìn)年輕設(shè)計(jì)師與企業(yè)聯(lián)系的機(jī)會(huì)。沙龍衛(wèi)星面臨的挑戰(zhàn)一直是想象未來(lái)的設(shè)計(jì)形態(tài)，試圖想象未來(lái)幾代人將如何在項(xiàng)目，功能和美感之間形成新的完美平衡。今年，我們又一次回到基礎(chǔ)，將活動(dòng)的主題與南非半島的多媒體展覽AFRICA＆LATIN AMERICA Rising Design / Design Emergente緊密合作。因此，這兩部分中的每一部分都被委托給熟悉本國(guó)廣闊的人們。著名的巴西設(shè)計(jì)師Fernando和Humberto Campana在拉美地區(qū)占有一席之地。非洲方面已委托摩洛哥設(shè)計(jì)師非洲設(shè)計(jì)日的創(chuàng)始人Hicham Lahlou。

——http://www.salonemilano.it

?http://www.salonemilano.it

?http://www.salonemilano.it

展覽空間

Megawatt Court總面積為9000平方米，延伸至Via Watt的工業(yè)園區(qū)，距離Zona Tortona中心僅7分鐘路程。

該綜合建筑于2016年7月開(kāi)放，擁有4000多平方米的倉(cāng)庫(kù)，保存完好，擁有大型倉(cāng)庫(kù)，3700多平方米的庭院花園（也是舉辦戶外活動(dòng)的理想場(chǎng)所），約1500平方米的辦公樓和一個(gè)私人停車場(chǎng)，這使得它適應(yīng)任何顯示要求。

展館（3000平米）的特點(diǎn)是運(yùn)行空間的整個(gè)跨度驚人的鋼架，并流下了天花板，使整個(gè)而環(huán)境過(guò)濾彌漫的自然光，在房間的后面，一鋼夾層理想的方向定位占主導(dǎo)地位。辦公樓（三層）通過(guò)內(nèi)部通道與棚屋相連，非常適合在時(shí)裝表演和演出中創(chuàng)建后臺(tái)。從物流的角度來(lái)看，這非常方便，這要?dú)w功于沿整個(gè)建筑群延伸的大型私家路，并且還允許較大的卡車進(jìn)入后院進(jìn)行裝卸。它還擁有私人停車場(chǎng)，存儲(chǔ)空間以及無(wú)盡的后臺(tái)區(qū)域和餐飲場(chǎng)所。

?http://www.salonemilano.it

參展成員

林立峰

LIN建筑事務(wù)所創(chuàng)始人。賓夕法尼亞大學(xué)建筑與景觀雙碩士，美國(guó)注冊(cè)建筑師協(xié)會(huì)會(huì)員，90后創(chuàng)業(yè)者，入選“89+” （Google 89 plus culture）全球藝術(shù)家，“上海種子計(jì)劃”90后藝術(shù)家，作品曾在紐約AIA student center 、上海證大藝術(shù)館、法國(guó)等、米蘭設(shè)計(jì)周等地展覽。建成或者在建作品包括波士頓千禧豪景閣私人豪宅,，大連MOOCHOOS咖啡店設(shè)計(jì)，上海陸家浜路私人住宅改造，廣東4S展覽綜合樓，上海Nude coffee 設(shè)計(jì)， 上海Energy Pantry 健身房設(shè)計(jì)。

陸豐豪

RAC 18Fall/

Cooper union半獎(jiǎng)錄取/

2018 SOM旅行獎(jiǎng)學(xué)金獲得者/UA國(guó)際城市設(shè)計(jì)三等獎(jiǎng)

趙怡宬

RAC 18Fall/

UCLA/UA國(guó)際城市設(shè)計(jì)三等獎(jiǎng)

展品介紹

參展作品一：Nude coffee

?LIN architecture

?LIN architecture

Project name: Nude Coffee
Architect’s Firm: LIN architecture
Exihibitor: Lifeng Lin

坐落于上?；疖囌九詫懽謽堑讓?，鬧中取靜的選址，給往來(lái)的客流提供一處繁華中的庇所。

咖啡廳采用半開(kāi)放式空間設(shè)計(jì)，超大的落地窗加強(qiáng)了視覺(jué)上的開(kāi)敞感，完全了顛覆家庭式咖啡館的風(fēng)格，更加貼近現(xiàn)代loft布局。

咖啡廳基調(diào)白色，內(nèi)部錯(cuò)落有致的懸掛著兩旁白色網(wǎng)格搭配中間金屬色的平臺(tái)，平臺(tái)的錯(cuò)落劃分了空間增添了趣味性，同樣白色和金屬色的拼接提升了整個(gè)空間素凈簡(jiǎn)約的質(zhì)感。黃銅元素的吊燈讓咖啡廳變的高級(jí)，而玫瑰金古銅色的椅子又添了那么一絲絲柔和。

?LIN architecture

超大尺度的吧臺(tái)是設(shè)計(jì)創(chuàng)意之一，咖啡師制作咖啡的全過(guò)程以及精心放在冷凍柜中的蛋糕可以一覽眼底，貼近觀察咖啡師的工作不僅縮短了主客之間的距離，也能讓顧客了解到生活中的不同職業(yè)塑造的溫情和浪漫。 

?LIN architecture

?LIN architecture

參展作品二：Oasis in the War——Between Despire and Hope

?Fenghao Lu/Yicheng Zhao

?Fenghao Lu/Yicheng Zhao

?Fenghao Lu/Yicheng Zhao

Project name: Oasis in the War——Between Despire and Hope

Exihibitor: Fenghao Lu/Yicheng Zhao

Tutor: Lifeng Lin

的黎波里作為利比亞最大港口，位于國(guó)境西北部，瀕臨地中海南岸，自古便是重要貿(mào)易中心和戰(zhàn)略要地。近代以來(lái)，利比亞戰(zhàn)事不斷，局勢(shì)動(dòng)蕩。戰(zhàn)爭(zhēng)與對(duì)抗、能源與污染、難民與輸送、遺跡與重建、伊斯蘭文明與現(xiàn)代文明、地域主義與全球化、恐怖主義與“反恐”的恐怖、醫(yī)療條件落后、淡水資源短缺等各種矛盾與沖突正在這個(gè)歷史古城上演。這次設(shè)計(jì)則是一次用建筑語(yǔ)言對(duì)這座充滿歷史卻滿地戰(zhàn)亂痕跡老城做出的回應(yīng)。

場(chǎng)地形狀近似500 m×500 m的等腰直角三角形，一面向陸，兩面入海，其中西面是港口。

場(chǎng)地：

?Fenghao Lu/Yicheng Zhao

設(shè)計(jì)經(jīng)過(guò)對(duì)難民數(shù)量統(tǒng)計(jì)和人口比例的調(diào)研，確定建筑內(nèi)部功能比例，試圖在城市尺度下為當(dāng)?shù)仉y民創(chuàng)造出一個(gè)烏托邦式的場(chǎng)所，除了作為難民逃離的港口以外，還提供基本的住宿、醫(yī)療、商業(yè)、宗教和文化教育等功能。研究了當(dāng)?shù)貞?zhàn)亂情況后，將建筑設(shè)計(jì)在地平線以下，空間設(shè)計(jì)上采用“挖空”的動(dòng)作，挖去空地，余下建筑本身，產(chǎn)生提供安全與安全感的空間。建筑屋面與地平線平齊，同時(shí)作為通行道路。由此人群活動(dòng)被分成三種，屋頂、室內(nèi)和室外廣場(chǎng)。功能在場(chǎng)地上被收緊進(jìn)入延展形的建筑物，建筑與建筑之間由此露出廣場(chǎng)和庭院。建筑物西部直接插入海中成為港口，東北面和沙灘連接，可以直接從屋頂進(jìn)入沙灘。部分墻體加厚，強(qiáng)調(diào)“挖空”的手法。

?Fenghao Lu/Yicheng Zhao

在剖面和立面設(shè)計(jì)上加入伊斯蘭建筑元素，契合當(dāng)?shù)卦薪ㄖL(fēng)格。

?Fenghao Lu/Yicheng Zhao

思考：

在設(shè)計(jì)中， “兩極”的確立會(huì)變得越來(lái)越困難，隨著聯(lián)系因子數(shù)量的不斷增加，“中介”領(lǐng)域的內(nèi)涵同時(shí)產(chǎn)生了不斷延展。在兩極各極性之間，存在一個(gè)或多個(gè)聯(lián)系兩極的媒介要素，這種媒介與兩極之間形成的關(guān)聯(lián)，將建立多價(jià)性的網(wǎng)絡(luò)框架。

而在的黎波里，人們?cè)馐苤鴳?zhàn)爭(zhēng)的折磨。幾乎所有人都成了逃亡者，失去了他們的家園、親人甚至生命。在大的城市戰(zhàn)爭(zhēng)背景沖突和矛盾的體系下存在各種場(chǎng)地環(huán)境影響體系，一系列的子系統(tǒng)不斷的影響著設(shè)計(jì)。這樣的復(fù)雜層級(jí)產(chǎn)生了對(duì)某種“中介”的需求，來(lái)更加靈活地處理各向關(guān)系，中和原場(chǎng)地的矛盾，它更像是一個(gè)各向關(guān)系的調(diào)和器，對(duì)場(chǎng)地信息的重組與疊合。

參展作品三：The Fun Factory

?Fenghao Lu

Project name: The fun factory

Exihibitor: Fenghao Lu 

Location: Washington,D.C  USA

Individual work

Fall 2015

“In between” has the characteristics of external changes, leaving the internal changed. Therefore, there are two systems that define the whole structure of the project.

The two opposites of what makes this ‘in-between’ exist is the changing part of the building and a fixed mechanism. In such attempt, the function of the architect is weakened while the function of the building is more direct to the users.

In Washington juvenile prison, after the release of children, about 75% of them will relapse into crime. So I decided to think about the possibilities that the architecture could provide them. In a world-famous experiment—’Death Experiment’, a closed, unfree space will lead to the distortion and deterioration of human nature.

So in this project, I designed a changeable architecture machine, tried to give the children absolute sovereignty to decide their own living space, activity and behavior. In this constantly changing system, I am going to set up a fixed internal psychological rehabilitation mechanism, so that we can expect to make positive guidance to children in this changing space, and eventually eliminate their mentality of re-crime.

Living in a changing system

There are series of emotional fluctuations that are simulated by the observation of a juvenile offender. According to the data, I extract 7 strongest emotional states, giving a spatial assumption for each state in The Fun Palace, and specific situations.

?Fenghao Lu

?Fenghao Lu

Scenario 1-7

It was the first day I came to juvenile prison and were frightened by the warm welcome. It’s strange that they have such happy smiles. It’s hard to imagine that they have made terrible mistakes like me. The fear is gone, and I started looking forward to the new life.

?Fenghao Lu

?Fenghao Lu

Everyone is happy to sing and dance, exchanging gifts and feeling unrestrained. I took the luggage and looked at everyone in silence. I was a little bit reassured and curious.

Scenario 2-7

Today is the school day, I changed room with everyone into a gala party. In the morning, I worked as a staff member in the basketball field in the outer ring. In the afternoon, I came to the inner ring and played all the projects with David. What a wonderful day.

?Fenghao Lu

?Fenghao Lu

After a morning’s service, I wanted to took part in this party. I stood on the second floor to observe the whole party and prepare to start my own favourite project–The football game.

Scenario 3-7

It’s dad’s birthday today. I’ve been here for a long time, and I start to miss him. He must be super sad and lonely after my mom’s death. I’m getting sad. I realized that I need to be more mature as my dad is getting old, I need to support the family instead of him.

?Fenghao Lu

?Fenghao Lu

I want to have a phone call with my father. I want to say that I’m sorry to him. I was so naught in the past years. Thinking of this, I can’t help to speed up the pace.

Scenario 4-7

I have a bunch of friends, and also form my social circle. Today, we decided to organize a performance, so we changed all the rooms into the seats. I also performed a short act for everyone. In fact, it’s more of myself. Through the show, I became much more familiar with myself.

?Fenghao Lu

?Fenghao Lu

My friend Linda and I were enjoying the performance by Nick. Henry and other three people dressed up as Beatles, going to give a performance. Everyone has their own strength.

Scenario5-7

Today is your(mom’s) first death anniversary. You would be disappointed if you can see me. I need to withstand the blow, but I failed. I stabbed my classmate only because he teased you rudely. Now I regret it very much. But please be assured that I am growing up and everything is good here.

?Fenghao Lu

?Fenghao Lu

Today the thunder is so loud. Everyone was so scared and we equipped the building with walls. I walked about and seemed to have been sucked day of all my mind. Mum, I miss you.

Scenario6-7

There is only a month before the release, but I’m a little reluctant to leave. I can create different spaces here everyday, and I can meet different people, experience different things. And I will never be the one who I was one year ago and I will never do such stupid things.

?Fenghao Lu

?Fenghao Lu

I stood by the wall, trying to make myself stay in peace. I realized that I loved this place when I saw people walking around. Everyday I tried to change the building, the space as I like, and finally, I was changed by it totally.

Scenario7-7

Today was the parents’ meeting day, and was also my leaving day. Parents walked back and forth in the outer ring to experience the environment their children lived; children are doing daily activities in the inner ring. As for me, I left this place quietly, ending my wonderful dream.

?Fenghao Lu

?Fenghao Lu

I packed my luggage and dragged my box, leaving. I am very happy to see everyone in the building lives as free as usual. I believe it is the birthplace of happiness. It completely changed me and my whole life.

米蘭現(xiàn)場(chǎng)

Location: MEGAWATTCOURT ViaGiacomo Watt,15 20143 Milano Italy

?Lifeng Lin

?Lifeng Lin

?Lifeng Lin

?Lifeng Lin